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Jock Sallquist

Artist
  • INSTAGRAM
  • THE UNFOLDING
  • SELECT WORKS
  • MIXED MEDIA
  • COLLABORATIONS
  • ABOUT
  • CONTACT
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Broken surfaces hold more truth than smooth ones.
Shot in April 2025. Finished by layering scraps and textures until the portrait started arguing with itself.
Shot in April 2025. Built from fragments of the day—objects, textures, and chance visuals—the portrait carries imperfections of perseverance.
The way of Wabi Sabi - A face unraveling into lines, then returning as something otherwise invisible. Sublime.
Little Island, NYC. A portrait exploring the otherwise invisible. 2024.
Whitney, 2024. I photographed him during a visit and later completed the portrait by layering in visual elements from the shoot along with other sources connected to the subject and circumstances of that day.
She was a German tourist I photographed on Little Island in 2024. When I finished the portrait in 2025, I layered in visual details from the shoot and her persona—traces of both person and place. What stands out first to you?
What’s invisible in a person until you really look?

Her Portrait — captured at @whitneymuseum in 2024.
I often approach strangers in public spaces and ask to photograph them. Later, I layer in fragments of the environment to create a por
The Anam Draoí No. 21 - shot in Dublin featuring @mi.lisok
Jealous trappings - impromptu shoot at @seattleartmuseum May 2025
The Anam Draoí No. 20 - shot in Dublin featuring @mi.lisok
Portrait of a docent - shot and edited by me
Grounded cycles - a portrait made by a human being
Ai wei de la fortunes - shot and transformed on an iPhone
The Anam Draoí No. 19 - featuring @mi.lisok
Systematic lace - from an impromptu portrait shoot at @seattleartmuseum
Seconds sloping - made by a human
Another experiment in unfolded fashion portraiture featuring original image and clothing by spectacular @prairieunderground
Cellophaning slouch
Untitled Portrait No. 05
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